Then, out of nowhere, Buck exclaims, “My daddy’s a dope fiend / And I don’t really miss him / Ain’t seen him in ten years!” Then, as punctuation, he drops in a barbaric yawp of an ad-lib: “Fuck him!”īuck, born David Brown, possesses a delivery that’s a voodoo stew of Tupac and Screamin’ Jay Hawkins, and that unhinged growl powers Straight Outta Cashville. Even Buck’s G-Unit boss, 50 Cent, goes back to the well, intoning “Go shorty / We back up in this bitch again.” As the beat-part J-Kwon’s “Tipsy,” part the Clipse’s “Grindin'”-thumps along, you’re thinking, Meet the new boss, same as the old boss. Foes are shouted down diamond-encrusted burners are waved. On “Let Me In,” the first single from Nashville rapper Young Buck’s debut album, concealed weapons, underage drinking, and brazen flossing are the order of the day. Young Buck Straight Outta CashvilleG Unit/Interscope
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